Ne(x)tworks is a collaborative ensemble
of musicians creating and interpreting work that features a dynamic
relationship between composition and improvisation. In performance and
recordings, the group locates pathways into various types of notation
systems and interfaces, striving for a meaningful dialogue with the
past, present, and future of creative music.
Formed in 2002 in New York City, Ne(x)tworks advances the tradition
of the 'performing composer' ensemble by frequently presenting full
programs of compositions created by its members. The group's repertoire
also extends beyond its ranks to encompass the open scores of New York
School composers, work by the their European counterparts, further experiments
by the composer performers of the AACM and SoHo Scene of the 1970's,
the so-called Downtown composers of the 80's, and commissioned works
by like-minded contemporary colleagues.
Ne(x)tworks' debut recording, Earle Brown: Tracer, is available
on Mode
Records.
|
Read
Time Out New York's profile of Ne(x)tworks
(from Issue 654 : Apr 915, 2008)
|
Read
NY Times review of the groups 4/17/07 concert
An Earle Brown Retrospective
|
Read
New Yorker review of K. Bunch's
opera
Confessions of the Woman in the Dunes
New Yoker critic Alex Ross also included Dunes
on his blog's Best
of '06 Live Events
|
|
|
|

Shelley Burgon & Cornelius Dufallo
MATA Festival - April 1, 2009
|